• CHAZ – Chaz Robinson’s 2017 debut release on Spectra Records (Producer/Co-Writer/Guitars)
• Carowinds Amusement park (Charlotte, NC) (Designer/Executive Producer/Principal Sound Designer)
• United States Olympic Committee Athlete of the Year – NBC (FOH)
• Miss Mississippi Pageant (1999 and 2001 Emmy for “Technical Excellence in a Live Broadcast”) (Line Producer for the 2006 Pageant)
• CNN – Heroes (FOH)
• Bank of America (multiple corporate events as A1, TD, PM)
• Merrill Lynch (multiple corporate events as A1, TD, PM)
• U.S. Trust Private Bank (multiple corporate events as A1, TD, PM)
• Cedar Point Amusement Park (IAPPA award-winning shows – Sound Designer)
• Radio City Christmas Spectacular featuring the Rockettes (A1)
• Electrolux North America (A1 for corporate events and tradeshow booths)
• Bush/Cheney Campaign Tour 2004 (FOH, PM or TD)
• Hilary Clinton Campaign events (FOH)
• McCain/Palin Campaign Tour 2008 (FOH, PM or TD)
• White House Communications Agency (WHCA)
• CNN Debates with Anderson Cooper (FOH)
• CNN Debates (Republican and Democrat)
• TIAA (A1 for corporate events)
• General Dynamics (A1 for corporate events)
• Event Solutions Magazine (A1 for corporate theming shows)
• National Governor’s Association (A1)
• BB&T Bank (A1 for corporate events)
• AARP (Monitor Engineer for their 75th celebration w/ WYNONA as headliner)
• Oklahoma’s 100th Celebration (2007 Regional Emmy winner) (monitor engineer)
• America’s Junior Miss Pageant (Broadcast A1/Assistant A1)
• CeCe and BeBe Winans (Grammy-winning Gospel singers) (FOH)
• Beth Moore “Deeper Still” (broadcast mixes or FOH)
• The Manhattan Transfer (Jazz/Pop Vocal Group) (Monitor Engineer)
• Orleans (1970’s Pop band “You’re Still the One”, “Dance With Me”) (FOH/Road Manager)
• IHG – Holiday Inn Experience (large corporate re-branding event) (Audio team)
• Democratic National Convention, Denver, CO (A1 for Joe Biden events)
• The Gertrude Ford Center for the Performing Arts (Ole Miss, Oxford, MS) (System Tuner)
• Miss Tennessee Pageant (Broadcast)
• International Bluegrass Music Association Awards show (IBMA’s) (Audio Director/FOH)
• St. Louis Variety Club Telethon (Broadcast)
• CMT/MTV Nashville Studios (Broadcast or FOH or Monitors, and Soundstage System Tuner)
• CMT’s Flameworthy Awards Show (Monitors)
• CMT’s 100 Greatest Love Songs Telecast and Concert (FOH, Audio Production Manager)
• Crossroads (CMT music series) (FOH/Monitors)
• CMA (Country Music Association) Awards show (14 years as the Monitor Engineer)
• Walt Disney World’s Candlelight Processional (A1)
• Disney’s Worldwide Simulcast “The Happiest Celebration on Earth” (A1)
• The Grand Ole Opry (10 years as Broadcast, FOH, or Monitors)
• Grand Ole Opry’s 75th Celebration (Monitors)
• The Stellar Awards show (Broadcast or Monitors)
• Colgate True Value Country Showdown (Audio Coordinator/Monitors)
• Geauga Lake Amusement Park (Aurora, OH) (Designer)
• Dorney Park (Allentown, PA) (Designer)
• Theme Park Diva (the Musical) (Designer)
• Gore/Leiberman National Election Day Coverage from Nashville, TN (Audio Coordinator)
• Children’s Miracle Network Christmas Parade LIVE from Dallas, TX (Broadcast Mixer)

Monitor engineer for:

• CMA Awards show for 10 years
• Music City News/Flameworthy Awards show for 5 years
• Dove Awards show for 6 years

House and Monitors for:

• CMT’s Most Wanted Live Preshow for 2 years
• CMT’s All Access “Live by Request” for 3 years
• Statler Brothers Variety show for 5 years
• A&E’s “Live By Request” Nashville shows
• Prime Time Country/Music City Tonight/ Nashville Now for 6 years
• American Music Shop for 2 years

Broadcast, House, or Monitors for:

• The Grand Ole Opry for 9 years
• George Jones show for 2 years

Broadcast, House, or Monitors for Hundreds of other shows on CBS, CMT, TNN, at the Grand Ole Opry House, the Ryman Auditorium, or the Wildhorse Saloon (including many industrials and conventions). Staffed and chiefed most audio crews (and some others) for all listed.

Originally hired as an opening Engineer and Installer in 1989, I returned to Disney as the club’s Technical Crew Chief/Audio Engineer in late 1999, then to Tech Scheduler in April 2000. Duties included taking a part in the rehab of the Rock-n-Roll Beach Club audio system, Front of House Audio or Monitors for a variety of National acts on the West End Stage (Christina Aguilera, Styx, B-52’s, Kool & the Gang, Robert Palmer, Squeeze, Blessed Union of Souls, and many others), Pleasure Island Jazz Company, and eventually scheduling all technicians for all conventions and events.

Started as Monitor Engineer in December ‘90 with Ricky and rose through his managerial ranks by early ‘92 to become Production Manager first, and then Road Manager while still being Monitor Engineer and occasional Guitar Tech, pending on the need at that time. Duties included 17 members on the road, 2 trucks, and 2 buses for 110 shows a year around the world. All varieties of venues and crews were dealt with during these times.